Niahak's Place

Just after we attempt to navigate the Vanishing Point to Horologium, we are shown – for once – a clear vision in which the Three Figures reveal what exactly it is they want. This is the longest and most consequential cutscene since the very beginning, in which everything was wrapped in mystery.

I’m sure it’s become obvious by now, but this post will have spoilers for some endgame content of Strange Journey. Delve with diligence.

After plunging once more into the Vanishing Point armed with more data, we manage to make it to Sector G: Grus. It initially appears similar to Antlia, but indications are that it contains diverse sections deeper inside.

In Grus, we are able to proceed without incident for awhile, but illusions block our path and Mastema shows up. He has been gathering angelic forces in a hidden enclave within the sector, to prepare for the eventual war with demons over humanity’s fate. Zelenin asks him for guidance with respect to the Red Sprite crew, as she feels they are headed towards internal conflict and hopes for peace. He tells her that she does not need his guidance now, but will someday and to seek him out when that day comes.

After being rudely rejected by the Vanishing Point emergency-exit, we find ourselves in Fornax, the sixth world of Strange Journey. This world has a relatively muted, orange-ish design with lots of floaty shapes, and the music is actually identical to the second part of Antlia, so in terms of actual aesthetics, it is the most disappointing world so far (although to be fair, I’ve quit the game midway through Bootes twice).

The opener section of Fornax is at least relatively action-packed, since you end up fighting a boss within the first half hour of exploration. This demon makes itself known as Moloch, Morax reborn. It becomes evident that Fornax is some kind of demon breeding ground, and although it may not be the only source of demons, the “Mother” that lives in Fornax created Morax, Mitra, Horkos and Asura but they weren’t able to retain their strongest forms in the upper layers of the Schwarzwelt.

At last we come to the first world that doesn’t represent a failing of humanity. Sector E, Eridanus, looks a little bit like some depictions of heaven – it’s an ordered place filled with rows of trees and mysterious vaguely electronic-looking obelisks. The Red Sprite crew all comment on how it looks human-made, but definitely wasn’t – an artificial, ordered land of unknown provenance. Everyone on board is excited about the prospect of the sector containing the “Vanishing Point” – the bigwigs at the command center broadcast some kind of beacon laser, which the Red Sprite is able to pinpoint to determine its relative location in space-time. Which is to say, Mr. Command Computer, Arthur, was able to spot the laser from the sector, pinpointing the location by which we can theoretically escape.

Delphinus starts out seeming very straightforward – atmospherically, it’s a complete trash dump, with rivers moving garbage around. There’s actually very little substance to this beyond being the backdrop for this little chunk of plot. The second floor of Delphinus is the only mechanically interesting part. It’s a conveyer belt maze with pitfalls on wrong turns that take you to a big loop on the first floor. Particularly after the mess that was the second sphere of the Womb of Grief, it’s very tolerable.

Early in Delphinus, you work closely with Zelenin to try and identify the Rosetta (the kind of Forma needed to move to the next sector). Despite triangulating, and supposed upgrades to the detection capabilities of the Demonica, it’s not clear where it is. Shortly after these events, there’s an odd event – after Commander Gore died in Antlia, his body was brought on board the ship and placed in a capsule in the sick bay. The body is missing, which makes the crew (understandably) concerned about it being taken or – worse – walking off on its own.