Niahak's Place

First, a disclaimer: I played this game on the Switch, mostly on version 1.03 and 1.04. It sounds like the current versions and other platforms perform better, which I will be grateful for when I return to it for the DLC. I’ve tried to isolate performance/crash stuff to its own section.

It’s going to be a little hard to confine everything I felt as I played Eiyuden Chronicle: Hundred Heroes to a single post. Or even, really, to the written word. A mixture of relief, frustration, sadness, and joy in different measures and different times will have to do. It took me months to gather my thoughts enough to write the bulk of this and months more to refine it and each time I’ve felt a little different.

When I discovered the original Mount & Blade I was really impressed by the sandbox approach it used. You play as one person in a world that continues to move as you do. It’s fundamentally pretty similar to some earlier games – Uncharted Waters, for example, took a similar approach. M&B added an excellent combat system, though – one that was very well suited to keyboard + mouse controls, that incentivized (but didn’t require) a shield and allowed the flexibility of mounted combat. It also brings in a character growth system that extends to companions in your party. While other games might see you becoming a “superman” in a few hours, you never really feel immortal in M&B – mighty, perhaps.

As revisions came in for the original games, new factions and weaponry were added and eventually Mount & Blade: Warband came out. A standalone game that could be considered Mount & Blade II, Warband added more complex politics and a couple of new factions as well as multiplayer. Importantly, though, there was enough of a fanbase and the system was extensible enough that mods were plentiful. Although my favorite was The Last Days, the LOTR mod that still receives updates, there were several fantastic total conversions as well as a lot of smaller mods that extended the “Vanilla” experience.

The “actual” Mount & Blade II, subtitled Bannerlord, isn’t a bad game per se, but it misses the mark a bit on what made Warband so addictive. It seems to focus more on set pieces than sandbox features. Diplomacy is somewhat middling, the “campaign” quest seems tacked on, and while the family and aging system has potential it isn’t particularly exciting due to its extremely slow pace. It may have been more interesting if the “Realistic” death settings were realistic in the least (or allowed for percentage chance of death in combat based on age, for example) – requiring a character to switch characters frequently to inherit the legacy of their predecessors.

It’s been awhile!
I completed Dragon Quest XI S to my satisfaction over two months ago, after a break of nearly three years. While I enjoyed parts of it, I was really disappointed with others.

First – the good. The fun-sized forge is an excellent little minigame, with just enough randomness (and just the right level of reward). While it does feel like its level scaling is a little funky, that does incentivize revisiting items after progressing a little in the core game. Combat is a bit of a mixed bag – at no point did any of my characters feel particularly strong, which is good (things are somewhat balanced) and bad (did I make a wrong decision in a skill tree somewhere?). The latter feeling got worse as I progressed. For example, a late-joining character had some skills with a one-handed weapon that were especially powerful leaving me to believe I had missed some nuance in unlocking spear skills for Jade. The core story is more twist-driven than most Dragon Quests, which is exciting in places but disappointing in others.

Sailing Era is a weird mix. Its portraits are bright, expressive, and fun, but its 3d models feel somewhat lifeless and drab. A lot of the game feels the same way. For example, It’s really satisfying to make a good trade and shore up your cash-on-hand… but beyond a certain point, trading becomes meaningless because it is too profitable. This makes the whole system feel a little… unmoored. Another good example is explorations – they’re a great source of experience for your crew, and often yield useful treasure or discoveries you can turn in for port contribution points. They’re actually even a little bit fun in how they throw different challenges as you every so often. But the challenges don’t grow with your crew or even by “danger level” so you’re likely to outstrip them after about 5 hours of play – and without the need for growth, there is little need for the experience.

In the end the experience feels a bit like an idle game with extra steps. You’re leveling your crew to make leveling your crew easier, trading to get money to upgrade your trading ships to trade faster, fighting other ships for loot to build better ships to fight with, and so on.

This isn’t to say that it’s a bad game – actually a lot of games are like this, and I actually found it simultaneously addictive and relaxing. In Sailing Era it feels a little more blatant though. Like its inspiration, Uncharted Waters, Sailing Era is an easy game. The first couple hours may be tricky as the main quest throws some hard battles at you, or the trading situation may feel a little tenuous before you’ve built a fleet. Once you’re past a certain point – say, you have three ships in your fleet and are relatively comfortable with crew wages – you’re trading so many goods at a time, and the relative pricing for trades so generous, that you can easily turn a major profit.

When I was much younger, I very much enjoyed Koei’s weird brand of grand strategy game. Being focused on personalities over numbers, tech trees or deep city-building makes them feel a little lighter on strategy than even the Civilization games coming out around the same time. In retrospect, though, they were fairly deep while still being well tuned to a console experience. The “officer” layer adds another level of management, as well as some personality – even a portrait and a couple of numbers can go a long way towards making a character feel more real. This in turn adds a bit of additional flavor to the overall experience, which might make it feel more tolerable when – for example – playing as Chrysalis and Flax in Gemfire are much the same experience after you’ve surpassed the threats in the first few hours.

Chaos Galaxy (which I played on Switch, but is also available on PC along with its sequel) channels much of the same feel as those games, while adding some helpful tactical depth.